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When two Tennessee Democrats pulled together enough votes on Wednesday to kill the Wood Bill, alias the Taft-Hartley Law, there were immediate cries of triumph from labor and its backers. By the next morning, however, the smoke had cleared sufficiently to reveal one depressing fact: the Taft-Hartley statue...

Author: NO WRITER ATTRIBUTED | Title: Knock on Wood | 5/9/1949 | See Source »

When all of the tag ends of this far-flung reporting job were in, Senior Editor Duncan Norton-Taylor sat down to write the story. He had his facts and, when his story was done, Frankie Waldron, alias Eugene Dennis, was no longer such a mystery man.

Author: /time Magazine | Title: A Letter From The Publisher, May 2, 1949 | 5/2/1949 | See Source »

Try and imagine "Faust" and "The Devil and Daniel Webster" sloppily clad in a 20th Century plot, with Ray Milland as Beelzebub, and you get some idea of what "Alias Nick Beal" is about. And if you've heard the voice on that certain local radio station warning you "never...

Author: By E. PARKER Hayden jr., | Title: The Moviegoer | 3/19/1949 | See Source »

¶ A job applicant at the Chance Vought Aircraft plant at Grand Prairie, Tex. filled in his name on a company form, "Jones, Rufus." The next line read, "alias or otherwise known as." Jones wrote, "Shot, hot."

Author: /time Magazine | Title: MANNERS & MORALS: Americana, Mar. 14, 1949 | 3/14/1949 | See Source »

Alias Nick Beal (Paramount) is a modern morality play subtly fashioned around the text: "What shall it profit a man if he shall gain the whole world, and lose his own soul?" Into the life of a gang-busting prosecutor (Thomas Mitchell) floats a mysterious character known as Nick Beal...

Author: /time Magazine | Title: The New Pictures, Mar. 14, 1949 | 3/14/1949 | See Source »

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