Word: alienates
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Dates: during 1990-1999
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...something more direct is to your taste, Seven Stars also carries the Ultimate Alien Agenda and The Idiot's Guide to Extraterrestrial Intelligence. Or you could browse through one of the many books on Roswell, New Mexico, the site of a purported UFO crash...
...down and sign a three-year autonomy agreement. To back it up, she would put 28,000 NATO peacekeepers, including 4,000 Americans, on the line. After weeks of talks in France, the Kosovar Albanians signed on March 18. Milosevic refused, saying he would not even consider allowing alien soldiers onto the sacred soil of Kosovo. And the U.S. prepared its war machine...
...very brainy Morpheus (Laurence Fishburne) and a small band of rebel fighters, living by their wits and their martial-arts skills (nicely enhanced by special effects). A lot of what they do and endure consists of spins on the sci-fi past. There are references to everything from the Alien movies to The Terminator to Soylent Green, but that's what we have for a living mythology these days, and the Wachowskis are bold and knowing in their deployment of it. They're acknowledging a tradition, not ripping...
...process he called vernalization, by which he would "train" spring wheat to be winter wheat and thus increase the number of annual harvests. Lysenko believed all living organisms passed on to succeeding generations characteristics acquired in their lifetime. This untested theory was at odds with what Lysenko scathingly called "alien bourgeois" genetics, but Soviet scientists who dared disagree risked being sent to the gulag. The cost was high. Even after Lysenko's final fall at the end of the Khrushchev era, Soviet agriculture continued to suffer. Worse still, Soviet scientists missed out on the genetics revolution. To this day, Russian...
...Some of the objects that Wols photographs (like the hesitatingly named Untitled (Rolled Cheese)) are unidentifiable except as organic forms. Others, like Untitled (Lamp and Branch with Meat) and Untitled (Rabbit/Comb/Button), have been cast in roles that are alien to their natures. But in his most successful still lives, Untitled (Beans) and Untitled (Sausage and Potatoes), Wols takes his subjects out of our world, while retaining their physical presence (the shine of an overboiled potato, the turgid undulations of a bean's matte surface) and signifiers of the setting (the rounded edge of a table, the gleam...