Search Details

Word: alison (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Alison Hibbart, fourth, sent the Crimson's Sally Roberts to the showers early, blasting...

Author: By Laura E. Schanberg, | Title: Netwomen Drop Final Match As Dartmouth Dominates, 9-0 | 5/11/1978 | See Source »

Captain Betsy McIntyre tallied twice for the second squad to place third on the scoring parade, while Alison Brown and Sarah Fischer each chipped in with one goal...

Author: By Keith Salkowski, | Title: Women's Lacrosse Team Trounces Wellesley, 14-2 | 4/20/1978 | See Source »

Even though my opinions on such matters should matter little to you, I felt that the costumes, designed by Lindsay Davis '75 and Alison Taylor, were very impressive, glittery and colorful. The dance numbers (in the first act, at least) lacked a certain pizzazz (although the '50s-style "T.V. Love" song-dance combo was a show-stopper, and I'm told that the disco-oriented "Travolta-clone" scene in Act II was equally memorable). And while all of the actors did creditable jobs within the horrible confines of the format, there were a number of unquestionable standouts (at least...

Author: By Richard S. Weisman, | Title: The 130th Clone | 2/25/1978 | See Source »

...Alison" is the album's most interesting song. A ballad, it's unsettling in the same way as "I'm Not Angry"--what Costello says works at cross-purposes with how he says it. The music is quiet and lyrical, and another aspect of Costello's instrumental skill is revealed in the reflective, jazz-like guitar figures he plays under the vocal. The words, however, belie the tradition of rock and roll ballads to lost loves. Yes, there's sadness there for what used to be--but the norm in classic rock lyrics is the graceful acquiescence, and Costello will...

Author: By Bill Barol, | Title: Rock and Roll Never Forgives | 11/21/1977 | See Source »

...ALISON," as in "I'm Not Angry" and throughout My Aim Is True, Elvis Costello anticipates our reactions and responds by ringing changes on them. Comparisons are inevitable--to Presley, from whom he took his name; to Springsteen, and Mick Jagger, and Graham Parker, like all of whom he sounds; to the r&b revivalists, of whom he is certainly one; to the punks, of whom he is not. The comparisons will be made, but they will be unfair. They'll be easy handles for people who will be scared away by outward appearances and won't recognize this album...

Author: By Bill Barol, | Title: Rock and Roll Never Forgives | 11/21/1977 | See Source »

Previous | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | 195 | 196 | 197 | 198 | 199 | 200 | 201 | 202 | 203 | 204 | 205 | Next