Word: allafranchini
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Dates: during 1990-1999
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...true dance movement. The Quartet navigated the fugue impeccably. By employing a multilayered system of dynamics, the main voice always remained prominent while the others maintained the tension. But before the audience could be thrown into the hysterics usually invoked by middle Beethoven, the Hwang and second violinist Ruggero Allafranchini ushered in a flowing lyrical line that could only be Schumann...
...Adagio molto, Allafranchini supplied enough mugging at the audience for the entire concert. Perhaps this practice, not shared by the Borromeo's other members, prevented the movement from obtaining its proper introspective feel...
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