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The simplicity of “Two Trees” is characteristic of the collection as a whole. Paterson’s straightforward rhythms, earnest tones, and candid narratives are equally approachable to poetry novices and veterans alike. Paterson shows a consistently genuine and honest appreciation of ordinary human life...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

Eleganza, Identities, and Project East all participate in worldwide trends of cultural appropriation in couture, but they also redefine the relationship between fashion and the minority community. The particular aesthetic goals of these shows vary based on the nature of their individual relationships with ethnic communities on campus?...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Before shows can even try to answer these greater questions, each group must garner attention, secure creative participation and, of course, raise money. The three shows face two main challenges in finding funding on campus: none is a stand-alone organization, and all find themselves unable to apply for Undergraduate...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Unlike the other two shows, Eleganza does not receive funding through their connection with Black C.A.S.T. “They are our formal umbrella, but we don’t really have financial ties to them,” Oladipo says. Still, Eleganza’s multicultural make-up can...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

While Eleganza, Project East and Identities define their relationships with minority communities on unique terms, Parent’s sentiment seems to resonate for all three of these fashion shows. As designers borrow inspiration from respective outside communities to create their clothes for market or school, these three shows return...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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