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“Leave House” wanders through tweeting woodwinds and sinusoidal synths without any apparent destination in mind. “Bowls” switches genre halfway through, starting with an intriguing but uninspired wash of strings and chiming percussion before segueing into a fairly standard dancefloor-filling...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

Numerous studies have found a strong correlation between high corruption and lower economic growth, as corruption creates an invisible tax on all economic activity. It hurts trade, investment, the effectiveness of government expenditure, and, critically for developing countries, the prospects of innovation. This problem is very salient in India today...

Author: By Ravi N. Mulani | Title: ‘I Will Give You Nothing for That’ | 4/20/2010 | See Source »

Ultimately, Beauvoir wanted to have it both ways. Rebuffing the idea of a fixed female essence, Beauvoir envisioned a woman who realized herself in economic and social independence. At the same time, she upheld the need for gender difference, however qualified, deriding women who denied their femininity and became no...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

His aspirations as a jazz musician, which preceded his interest in poetry, continue to have a strong influence on his verse. For Paterson, poetry is first and foremost a transcription of music—“sing me that old silent song,” he writes. His ear...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

Although Paterson tends to use older and more traditional verse forms, his book also shows a firm grip on present-day life, displayed in his nonchalant attitude and a variety of witticisms. In the montage-like sequence “Renku: My Last Thirty-five Deaths,” Paterson...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

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