Word: allegro
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...strings, though overly soft in the allegro, carried through their crescendos and decrescendos with professional ease. Chang and LaFitte offered particularly strong performances, but Soule seemed to fade in and out of the solo quartet and Gianguilo made some rather audible mistakes, failing in four different spots to sustain the end of his solo the full length of the note. The final movement suffered from the meek entry of the strings and an overquick temp. But the allegro assai redeemed the piece, with oboe, flute, and violin soloists maintaining a whispering rapport...
...Molto allegro is the desired pace for most performances, to cut down on fan fidgeting and player awkwardness, especially if the game is televised. In 1977 Fenway Park organist John Kiley became an anthem legend for coming in at a snappy 51 seconds. That is still not fast enough for ABC Sports. "The goal," says former producer Dorrance Smith, "is to cut away to a commercial." Luckily, he was not broadcasting the 1978 World Series in Yankee Stadium when Pearl Bailey dragged out the song to a record-breaking...
Arnowitt's playing became much more emotional and moving through the course of the performance. The pianist's slight build belied the powerful tone that he attained particularly in the latter portion of the concert. The lilting restraint of the Adagio in the third sonata was haunting. The playful Allegro assai revealed the pianist's versatility. But Arnowitt's performance of the fourth sonata proved to be his strongest of the evening both technically and artistically...
TIME has posed that question about many runaway hits and hitmakers over the years. We asked it of Lyricist Oscar Hammerstein, who appeared on our cover in 1947, when he and his partner, Composer Richard Rodgers, had five shows, including their musicals Oklahoma! and Allegro, playing on Broadway. (For all his popularity, Hammerstein had a yearly income of $500,000 -- roughly half of Lloyd Webber's present monthly royalties.) We wrote then that Hammerstein's words "carry a gentle insight and a sentimental catch in the throat to millions of people who are only dimly aware of his name." Within...
Bolstered by a surreptitious 1984 recording of the Chopin Opus 28 Preludes, Feltsman's reputation grew even while he was in musical exile. In the gossipy world of concert music, word of prodigiously gifted Soviets zips along the grapevine allegro vivace; unheard Russians like Feltsman tend to loom large in the imagination of Western audiences eagerly seeking a new pianistic hero. Then reality sets in. For every Vladimir Ashkenazy, a brilliant pianist in both technique and taste, there have been disappointments like the vapid Youri Egorov and the clangorous Lazar Berman...