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Word: allegros (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Arnowitt's playing became much more emotional and moving through the course of the performance. The pianist's slight build belied the powerful tone that he attained particularly in the latter portion of the concert. The lilting restraint of the Adagio in the third sonata was haunting. The playful Allegro assai revealed the pianist's versatility. But Arnowitt's performance of the fourth sonata proved to be his strongest of the evening both technically and artistically...

Author: By Mia Kang, | Title: A Life of Beethoven | 9/29/1989 | See Source »

TIME has posed that question about many runaway hits and hitmakers over the years. We asked it of Lyricist Oscar Hammerstein, who appeared on our cover in 1947, when he and his partner, Composer Richard Rodgers, had five shows, including their musicals Oklahoma! and Allegro, playing on Broadway. (For all his popularity, Hammerstein had a yearly income of $500,000 -- roughly half of Lloyd Webber's present monthly royalties.) We wrote then that Hammerstein's words "carry a gentle insight and a sentimental catch in the throat to millions of people who are only dimly aware of his name." Within...

Author: /time Magazine | Title: A Letter From the Publisher: Jan. 18, 1988 | 1/18/1988 | See Source »

Bolstered by a surreptitious 1984 recording of the Chopin Opus 28 Preludes, Feltsman's reputation grew even while he was in musical exile. In the gossipy world of concert music, word of prodigiously gifted Soviets zips along the grapevine allegro vivace; unheard Russians like Feltsman tend to loom large in the imagination of Western audiences eagerly seeking a new pianistic hero. Then reality sets in. For every Vladimir Ashkenazy, a brilliant pianist in both technique and taste, there have been disappointments like the vapid Youri Egorov and the clangorous Lazar Berman...

Author: /time Magazine | Title: Music: A Symbol Takes the Stage | 11/23/1987 | See Source »

...sonata in A major, Op. 100, is Brahms at his most intimate and endearing, and here Gilbert was in top form. Throughout the first movement, marked Allegro amabile, you could see him opening up to the audience, both musically and physically...

Author: By James E. Schwartz, | Title: Brahms, Brahms, More Brahms | 11/4/1987 | See Source »

There are many cut-rate labels of suspect quality, where either sound, material or performance is poor. Although these labels may seem like bargains, you should avoid them. Among these are Allegro, Vanguard, peters, Turnabout and Murray Hill. The top quality Nonesuch recordings are fine, but the sound of the company's low-priced records is often...

Author: By James E. Schwartz, | Title: Stop, Look and Liszten | 4/30/1987 | See Source »

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