Word: allene
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Dates: during 1970-1979
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...with the plot and is probably all the better for it. As proper compliment to the direction, Franco Colavecchia has done a swell job of set design--his complicated arrangement of backdrops and scrims are like a series of Saul Steinberg New Yorker covers--and B. Allen Odom has contributed a witty display of costuming. Parmer Fuller's musical direction at moments approaches mere cocktail music (in which, the program claims, Fuller is well-versed), but is saved by Dean Herington's clever orchestrations...
NEXT, out of nowhere--he had not been billed as one of the evening's bards--came Allen Ginsberg. He actually wore his clothes, faded jeans and workshirt, and a string of beads hung from his neck. Without any oms or antics, and without even introducing himself he read with his very cultivated, jazzy flat beat voice "On the Question of Freedom," a poem of Yevtushenko's translated by his croonie Lawrence Ferlinghetti. Ginsberg is normally considered, and not necessarily in a bad way, to be slightly looney; but in comparison to Yevtushenko and Barry Boys, he struck...
Festival, filmed at Newport in 1967. Orson Welles I. 4, 7:15, 10:30. With Take the Money and Run by Woody Allen. 5:40, 9. Until March...
Screenplay by JAY ALLEN...
Something has been lost in the translations. Isherwood's stories were taut, bittersweet recollections of bohemian Berlin in the early '30s. By the time Scenarist Allen and Director Fosse have wrung them out, what's left -with one exception-is mostly slack and sour. The exception is their vibrant star Liza Minnelli, who cocks a derby over a green-shadowed eye and struts off with the movie, or as much of it as is worth carrying...