Word: alley
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Dates: during 1960-1969
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Incoming Interior Secretary Hickel unveils plans for a 60-lane automatic bowling alley atop famed Niagara Falls. As work continues on the lunar landing module, America launches Apollo 9, the first successful attempt to place three men and a dog in orbit around the moon...
Broadway hails fair-to-middling work as genius so long as it succeeds. Along Shubert Alley, the ultimate critic is the box office, and Promises, Promises will doubtless satisfy that arbiter of taste. The show follows all the hallowed tac tics for promoting mediocrity into success. One does not gamble with $500,-000; one invests in the imitation of past successes. That means: Don't create -crib. Thus the plot line of Promises, Promises is derived from the Billy Wilder-I.A.L. Diamond film The Apartment, which was far sharper in lancing U.S. sexual hypocrisy, and the structure...
...playhouse needs is a moat, and it could pass for a medieval fortress. Yet it is not forbidding. The new home of Houston's 21-year-old Alley Theater is a child's idea of a castle-a genuine playhouse. The sandblasted concrete with its nine turreted towers glows like imprisoned sunlight; glass has succumbed to stone. And behind the facade, inner grace balances outer strength. The stairways are cascades of red-orange carpeting; the low ceilings are dimpled with lights embedded in them like flat moons, and the throwaway nooks and crannies have no function except...
Symbolical Journey. Perhaps the playhouse is so fine because it is a gift of love. It was built for a person as well as a purpose. It is Houston's outpouring of affection for Nina Vance, 53, a perky, scrappy woman who founded the Alley and fought for regional theater before the words were invented...
Unfortunately, Miss Vance's direction of the play does not soar into orbit. Perhaps the shift in sheer playing space from the postage-stamp stage of the old Alley Theater was intimidating. A risky lark tends to become a sobersided responsibility when culture receives the imprimatur of opulence. In this production, everything that was raging and revolutionary in Brecht has been quietly domesticated. The central confrontation of the play, the direct clash between the authority of divine revelation and the authority of scientific observation, is muted...