Word: alma-tadema
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...anniversary salute with an over-the-top high drama collection that included 45 supermodels, each decked out as a vision of an artist who had somehow touched Christian Dior's life and spirit. Linda Evangelista in an evocative deep wine taffeta dress a la Caravaggio. Naomi Campbell inspired by Alma-Tadema. There was a pink confection that looked right out of a Fragonard, Amber Valetta in pale blue, a portrait of Renoir. Each dress more elaborate and evocative than the first. Galliano called it a Bal des Artistes, in keeping with Dior's great love of art and his friendships...
...Coleman says she believes that the Hollywood vision of Rome is based more on 19th and 20th century interpretation than on primary reasearch. She points to the work of Pre-Raphaelite Brotherhood painter Sir Lawrence Alma-Tadema as feeding the "sword and sandal" look of prior films...
Time has done its annoying work, converting Lichtenstein into a historical figure remarkable for his taste, his dependable virtuosity and his pictorial manners. He has become the great academician of the Pop movement -- its equivalent of Sir Lawrence Alma-Tadema, the English artist who, a hundred years ago, attained the summit of popularity with his idealized, skillfully painted and mildly sexy reconstructions of classical Roman life, done again, and again, and again...
...painting. Modernism, the art of the past hundred years, defined itself in opposition to 19th century "bourgeois" painting: the art of the Salon in France, of the Royal Academy in England. Cezanne, Picasso and Matisse were everything that Sir Edwin Landseer, Sir Edward John Poynter and Sir Lawrence Alma-Tadema were not and could not be. There was no way of judging the academicians by the standards of postimpressionism. You either execrated them and were on the side of history, or enjoyed them and missed the bus. The art the Victorians liked fell victim to the revolutionary mind. After Cezanne...
...John Everett Millais's Bubbles, Sir Edwin Landseer's Stag at Bay, George Frederick Watts' Hope, John Collier's The Prodigal Daughter and dozens more. Nothing could have seemed more secure than the fame and popularity of their authors; painters like Lord Leighton or, especially, Alma-Tadema (who, while working on one of his Imperial Roman story-pictures, had fresh roses shipped to him from the south of France weekly for four months to get the petals right) made untaxed fortunes, lived on a scale of grandeur that makes Picasso's seem ascetic, and attracted...