Word: almaraz
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...small group of ranchers is preventing us from carrying out rightful land reform in the eastern region of Santa Cruz," says Bolivia's Vice Minister of Land, Alejandro Almaraz, who accuses Larsen of attacking his convoy this spring. "U.S.-born Ronald Larsen is leading this violent resistance." But critics counter that Morales is hyping the case to build support ahead of Sunday's referendum in Santa Cruz, where opposition parties are pressing for autonomy from the central government - and ahead of a constitutional referendum later this year on changes that include capping the amount of land that can be owned...
...Last month, when Almaraz and aides tried to pass through Larsen's Santa Cruz property - they insist it was the only route by which to reach to nearby indigenous Guarani residents to whom they were delivering land deeds - witnesses say the caravan was fired on by Larsen and his son Duston, 29. The incident was followed by two weeks of rancher roadblocks and violent protests that left 40 indigenous people injured...
...Larsen, who arrived in Bolivia in 1968, told a La Paz newspaper that Almaraz's vehicle had entered his property at around 3 a.m. Almaraz, he said, "had not presented any identification. He was drunk and being abusive ... I quieted him with a bullet to his tire. That's the story." But the government insists this wasn't Larsen's first run-in with Almaraz: the rancher is accused of kidnapping the vice minister for eight hours in February. The two alleged incidents prompted the government to file a criminal complaint of "sedition, robbery and other crimes" against Larsen...
...Chicano murals in Los Angeles in the '70s and early '80s, noble if garish campesinos brandishing their fists from the concrete walls of storm drains. In fact, some remarkably interesting artists were involved with the Chicano-mural movement. Among them were "Los Four" in Los Angeles: Carlos Almaraz, Gilbert Lujan, Frank Romero and Beto de la Rocha. But to suppose that this was the main form of Hispanic expression is rather like imagining that Judy Chicago's The Dinner Party is the chief work of art produced by an American woman...
Although the violence of car crashes is grimly depicted in Carlos Almaraz's expressionistic, fiery canvas Beach Crash, other artists are obsessed more with the auto's effect on collisions of male and female. E.E. Cummings describes the delicate and bittersweet technique of breaking in a new car as analogous to making love to a virgin. Chicago Artist Luis Jimenez's pastel study for his sculpture The American Dream shows a car, as Gerald Silk describes it in the museum publication, "ravishing a voluptuous nude female; breasts rhyme visually with hubcaps and headlights, hair with fenders, belly...