Word: almost
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Dates: during 1960-1969
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...almost forgotten. There is one more rumor worth dispelling. The Center proudly proclaims that it does no classified research. Personally, I consider it a breach of etiquette to play with words. My humor lies elsewhere, I think. What the Center means, is that the Center itself, as an institution, does no classified research. If you look very closely, however, you will find a safe for classified research in Professor Cheney's office. I would be willing to wager that there exists a similar one in many other offices in the Center. Seymour Martin Lipset did work for the Air Force...
...Brazil almost automatically attracts the attention of companies giving any thought to foreign investment outside the highly advanced regions of the world. Even if. as one official said, half or more of the population cannot be considered potential customers of manufactured products, this is still one of the most important market areas among the less developed countries...
...drama and visual studies-and a student's experience frequently determines the approach he will use in his film. Friend's shows the director's clear talent as a photographer, but emphasizes the visual aspects of the film at the expense of its theatrical aspects. The weak script is almost used as an excuse for using the camera...
...criticism must be that this repression would hurt those who are not responsible. It is up to those who act to judge the consequences to themselves. It is up to others in the movement to try to ascertain the consequences for the rest. I think, though, that I could almost argue the opposite. The Weatherman attack on the CFIA made the subsequent Guided Tour much more palatable. When blacks burnt down stores in ghettoes, they legitimized bus boycotts and sit-ins. Blowing up buildings would make sit-ins and building occupations that much easier...
...more speculative analysis some films reveal the preoccupations of entire periods of his career. Those that do so the most likeably are the east manipulated. Almost all of Hitchcock's films feel excessively structured, designed to make the audience draw the morals he intends. Only in a few does his subject balance his frightening formal control and let the characters seem real individuals. Hitchcock's audience-manipulation, involving an attitude of superiority toward his viewers, generates the unpleasant feeling that his characters merely illustrate a narrow moral design-Hitchcock's. Only in Shadow of a Doubt, Under Capricorn, and Psycho...