Word: almost
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Dates: during 1970-1979
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...Britain, by contrast, most of the minorities are citizens; moreover, fully 40% of the country's nonwhites were born in Britain, and that proportion is swelling fast as a result of a birth rate that is 50% higher than the national average. Yet there is an almost unconscious refusal to accept them. In the last major poll on racial issues, taken by Gallup in February 1978, 49% thought that nonwhites should be offered financial help to return "home," as if they were not already there. Indeed, the British seem to regard the race problem as an unfortunate accident from...
...minds of Marx's progeny. Conducted in 1976-77 by an official government youth agency, the poll quizzed a representative sampling of 814 Communist youth leaders ages 14 through 30. The results, published in last month's issue of Ifju Kommunist (Young Communist), show an almost counterrevolutionary ignorance about Communist history...
...that the movie is in the theaters, audiences are at last going to learn just why it took Francis Coppola $30 million and almost four years to finish Apocalypse Now. The answer, it turns out, is not nearly so mysterious as one might suppose. Coppola delayed the completion of his Viet Nam film for the simple reason that he could not bring off the grand work he so badly wanted to make. He tinkered right to the end-long after a lesser director would have cut his losses-but his movie remains a collection of footage. While much...
...entire film that even these hallucinatory passages are not so powerful as they might be. At times they are as anesthetizing as the Viet Nam footage that once dominated TV's evening newscasts. What is missing from these panoramas of death is a human context. There are almost no well-defined characters in Apocalypse Now. The biggest nonentity of all, sadly enough, is Willard. We are supposed to see the movie through his eyes-which are frequently superimposed on the film's images-but those eyes tell us nothing. It is not Sheen's fault...
...Larry Fishburne). They are typical American kids who inexplicably travel together for days without ever engaging in intimate conversation. When they go mad in the film's second half, their transformations seem arbitrarily decreed by Coppola rather than dramatically justified. We feel nothing. Still, the crew members are almost Dostoyevskian in complexity compared with the deranged Kurtz. When we finally meet the renegade at his camp of Montagnard disciples, Apocalypse Now collapses into a terminal anticlimax. An overweight, bald Brando weaves in and out of the shadows of his temple headquarters, doing little more than spouting quotations from Conrad...