Word: almost
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Dates: during 1970-1979
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...course, none of these disadvantages will be easily overcome. Since the satellites in the 1980s will almost certainly have to turn increasingly to OPEC for oil, there will be more inflation and shortages. That is causing considerable worry among the commissars. The trade-off for the deprivation of individual rights was always supposed to be steadily improving economic conditions. That is now proving ephemeral. So disillusionment, discontent and defections to the West are reaching epidemic proportions. If prices continue to soar, the political explosion could be immense...
...Almost everything else is unisexing these days-so why not those burleyque lines that passquerade as cheerleading squads at pro football games...
...statue arrives at the Don's supper as an agent of divine retribution. But there is no room for theology, or even for the supernatural, in the class struggle. Losey, after underplaying the hair-raising moment when the statue first speaks, dissipates its horrific arrival by treating it almost as a hallucination. Then, in one of his most bizarre touches, a glass blower's open furnace-first seen during the overture-materializes once again in the Don's house and engulfs him, in a sort of industrial accident. Don Giovanni does not exactly go to hell...
...founding fathers of abstract expressionism, Still has jealously guarded his output, releasing few paintings to collectors, rarely showing in private galleries, insisting on conditions of display that few museums were prepared to meet. Consequently, his farm outside Westminster, Md., houses most of his immense oeuvre; and though he is almost 75, his work has yet to be adequately studied. All these ingredients-the large talent, the inaccessibility, the crusty pride-have made Still a somewhat mythic figure in American painting and put him in a position to dictate terms to any museum in the U.S. So it is with...
Critics have blamed Gallant for not judging more, for not smiling on the good, or frowning on the bad more overtly. In truth, she mostly keeps her feelings protectively compressed behind an almost Conradian irony. Children, servants, old people draw her affection, partly because they are in a better position than the strong or successful to understand the real condition of life: that it is vulnerable to mysterious sudden changes, controlled by powers that the subject does not understand. Imaginative arrangements must be made, all of them temporary. "Gabriel at that time," Gallant writes about a young refugee in France...