Word: almost
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Lerner’s dynamic use of punctuation gives an added shape to his sequences. His lines are almost always broken by a caesura, dramatically moderating the flow of his verse. “It cannot save us. But it can remind us / Survival is a butcher’s goal. All hands / To the pathos. Let the credits,” he writes. The poet explains that this is “a structure of feeling / Broken by hand.” Alternatively, Lerner also often leaves out punctuation, leaving sentences unfinished, imitating the rhythm of real conversations...
...Composition Competition Winner “Nightclub Scenes for Solo Piano and Orchestra,” by Zachary T. Sheets ’13. Though “Nightclub Scenes” fit nicely with the modern sound of Prokofiev and Poulenc, there was a distinctively jazzy, almost sultry feel to Sheets’s composition. Written as “a classically inspired piece with a sense of harmony rooted in jazz,” Sheets delegated the roles of the jazz band’s walking bass, tenor saxophone, and trumpet to the cello, viola, and violin, respectively...
...Actors almost never connect or collaborate as they recite lines; instead, they always seem to be yelling across the stage at one another from atop these purposely unfinished set pieces. Their placement makes them feel even more removed from the audience. Consequently, emotional peaks in the script fall flat. Fish certainly seems more focused on his concept than the story itself...
...show’s creator and main writer, was making with this plotline was that Laurie’s chosen method of financing her education had little to do with her intelligence or abilities as a lawyer. But when a White House staffer was caught with her, it almost detonated both his career and fictional President Bartlet?...
...shock. One of their teachers has opened fire during an assembly, killing three students and one teacher. The scene cuts to the hard-boiled policewoman whose job it is to sort out the mess. This simple exposition could be the beginning of any of the popular crime dramas shown almost constantly on television...