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This spirit of openness was also present throughout the span of three days and accounts for the vast scope of art and artists involved. Apart from the panel with Baraka, the festival incorporated events drawing from almost every possible artistic discipline, including a film screening, multiple concerts, and a visual art gallery. The art exhibit, which will be located in the Holyoke Center arcade through the end of March, includes paintings, photography, and mixed-media pieces. According to Afari, this range of artistic forms emphasized the importance of the multi-disciplinary nature of the festival...
This is the sort of movie where it almost feels as though the person who wrote the second page never read the first. A film where a character can tell a girl that he likes “Pride and Prejudice” because it reminds him of the hazards of first impressions, and then in the next scene be found rereading the book, explaining “I just met a girl who reminds me of Elizabeth Bennett.” Is he not listening to his own dialogue? The movie often gives that impression...
...Almost as frustrating as this cardboard characterization is the fact that scattered throughout this rather awful movie are the makings of a very good one. Director DiPietro is just in the wrong genre. Whenever the film strays into the territory of romantic comedy, it actually works. The lines are funny, the soundtrack is snappy, and the atmosphere is ideal. The actors are winning, if cookie-cutter, and know how to tell a joke. DiPietro is also a very artful showman, able to convey his characters’ emotions through unlikely angles and lush camera work. When his characters...
...bitterly sardonic voice of Jason. The tone abruptly changes with the first sentence of the section when Jason announces, “Once a bitch always a bitch, what I say.” The fatalistic overtones of this decree permeate Jason’s narration as he mocks almost every character he meets. Faulkner uses Jason’s cruel humor as the primary representation of Jason’s universal aggression towards life...
...certain “Ari,” who seems to be the narrator’s confidant, or perhaps a lover. The narrator touches on thoughts about everyday life and discusses beauty, love and literature as if he were lying in bed beside Ari, chatting before sleep, almost whispering...