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...hour epic told in two parts at the A.R.T. through February 7, ERS attempts to capture the resonant power of “Gatsby.” The company takes a curious approach: “Gatz” is a performance that consists almost entirely of dialogue, comprised only of the text of the novel. Though the production uses design elements effectively to bring Fitzgerald’s work to life, most of the actors’ performances are unconvincing and flat, a regretful detail that hinders an otherwise brilliant concept...

Author: By Ali R. Leskowitz and Denise J. Xu, CRIMSON STAFF WRITERS | Title: A.R.T.'s 'Gatz' Takes Classic Tale to Stage in Novel Adaptation | 2/2/2010 | See Source »

Middle-aged women are supposed to love Alice Munro almost as much as they love yogurt. A serene, poised, white-haired presence on the book jacket, Munro rules over her own world of strong, quiet, older women. She never raises her voice and provides neat little bites of stories that are flavorful without too many calories...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: 'Happiness' Without Substance | 2/2/2010 | See Source »

Munro emphasizes the ordinary to such a degree that the fact that her stories portray the extraordinary almost slips by unnoticed. Though on the surface her women seem to lead predictable lives, the situations they face have a subtle element of the supernatural that is much scarier as a result of how detached her tone remains throughout...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: 'Happiness' Without Substance | 2/2/2010 | See Source »

...Without missing a beat Munro writes, “Don’t worry, you won’t be cold. The house is well heated throughout.” Because both lines are uttered in the same casual manner, the expectation for her to strip seems almost as natural as the assumption that she would take off her coat. In moments like this, Munro avoids the clichés of gothic literature by emphasizing that the ordinary is the worst part of the extraordinary...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: 'Happiness' Without Substance | 2/2/2010 | See Source »

...White Sky” continues in a very similar vein, its wordless chorus demonstrating the range of Koenig’s voice even when he resorts to yelping over singing. In almost any other hands this would be grating, but Koenig’s voice is so charmingly mercurial that he can pull it off. This opening duo, as well as later tracks like “Run” and “Diplomat’s Son” easily could have been lifted off their debut album; such is the continuity in style and substance...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Vampire Weekend | 2/2/2010 | See Source »

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