Word: almosts
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...film begins as a simple appraisal of street art, via the shaky lens of the camera-obsessed Guetta. He first trawls the streets of Paris, and then L.A., becoming the accomplice of numerous street artists. Guetta films almost every second of their work—the documentary is intense and fast-paced, twisting around every corner to capture a different artist at work: Shepard Fairey, Andre, Zeus, and Space Invader, to name...
...midway through a piece. Guetta then achieves the inconceivable: he meets and becomes the aide of the elusive Banksy. Hooded and voice-dubbed, Guetta films Banksy in his workshop, cutting stencils and implementing his famous “Murdered Phonebox” piece in Central London. The footage is almost breath-taking, capturing in a few moments the comedy and tenacity of the street art phenomenon...
...older and more traditional verse forms, his book also shows a firm grip on present-day life, displayed in his nonchalant attitude and a variety of witticisms. In the montage-like sequence “Renku: My Last Thirty-five Deaths,” Paterson at times sounds almost too playful to be taken seriously. “If I had a happier dream / this might have been a better poem,” he writes. However, it is precisely this addition of levity that offsets the often overly-sentimental voice that takes precedence in some of his other poems...
...movie also lacks creativity at almost every turn. Many of the movie’s scenes are very close in content and construction to the British version, and the score is unoriginal and bland...
...soldier diplomacy and liaison," Vietnam veteran Major General Robert Scales told the U.S. Congress in 2004. Late the following year a British officer, Brigadier Nigel Aylwin-Foster, submitted a scathing critique of U.S. tactics to the U.S. army's own in-house magazine, Military Review. American "cultural insensitivity, almost certainly inadvertent, arguably amounted to institutional racism," he wrote...