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...opportunity for cost curve-bending reform was there: there were substantive changes on which Republicans would have voted “Aye.” Instead, the Democrats chose to pass along party lines a 2409-page bill, with an additional 153 pages of amendments, dictating from Washington how to operate 16 percent of the economy. According to the Congressional Budget Office, the bill calls for $938 billion in spending over the next decade. Where will the nearly $1 trillion in spending be funneled...

Author: By Colin J. Motley and Caleb L. Weatherl | Title: Change We Shouldn’t Believe In | 3/23/2010 | See Source »

...doesn’t ever quite do its soothing driving montages justice. This certainly speaks against the film, but it should be noted that the aforementioned montages are truly excellent, with Eef Barzelay’s thoughtful soundtrack adding color to beautifully serene, eerie shots of the protagonists barreling along forsaken southern roads in a faded blue convertible. These scenes provide the viewer with brief respites from the occasionally awkward tension of the film’s plot, which focuses on three loners who end up in the same car on a trip through Louisiana. Despite this awkwardness, the tension...

Author: By Parker A. Lawrence, CONTRIBUTING WRITER | Title: The Yellow Handkerchief | 3/23/2010 | See Source »

Although the bulk of the film’s character development occurs in these flashbacks, this love story, along with a second that emerges in the narrative foreground between the other strangers, is fairly well done. Both of these relationships range from extremely endearing at moments to nearly despicable at others, but this often makes them seem more realistic. Neither avoids predictability though, often as a result of the characters’ stereotypical natures; the beautiful young woman first thinks she’s too good for the strange Californian but later reconsiders upon seeing his more tender side...

Author: By Parker A. Lawrence, CONTRIBUTING WRITER | Title: The Yellow Handkerchief | 3/23/2010 | See Source »

...evident in the first scene, the film works well with its setting, using location to spark ironically amusing dialogue. The airport, where Kirk works as a TSA agent along with his friends, provides a humorous backdrop for their conversations about Kirk’s relationship with Molly; instead of moving the lines through his security check, as a TSA agent, Kirk spends much of his time at work chatting—offering an explanation as to why airport security lines are so long. In another scene, Kirk and his friends go around on an empty baggage carousel as they discuss...

Author: By Devon M. Newhouse, CONTRIBUTING WRITER | Title: She’s Out of My League | 3/23/2010 | See Source »

...times, however, complacency creeps even into Deschanel’s vocals. On “Gonna Get Along Without You Now,” Deschanel and her backup singers can’t even muster the requisite sass to convincingly pull off lyrics such as, “Uh-huh, mm-hmm / Gonna get along without you now.” Singing too sweetly, she fails to provide any edge to the track, and any possible feeling in it slips away...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: She & Him | 3/23/2010 | See Source »

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