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...ashore at Normandy in 1944, the French Resistance there cut all telephone lines to Paris in an attempt to hamstring the Wehrmacht's response. The Germans, however, failed to realize that the lines had been put out of action, so the story goes, for Paris has always been aloof from the rest of France. For cen turies, the capital has been the nation's center of culture, business and politics...

Author: /time Magazine | Title: France: Toward Regionalism | 2/14/1969 | See Source »

...remaining aloof from the passions and wars of other Arab lands, Lebanon, alone of Israel's neighbors, has escaped losing territory to Israel. It has pursued the role of a Middle Eastern Switzerland, providing its 2,700,000 people with the highest living standard of any Arab country. Beirut is a cosmopolitan city of thriving banks and glittering beaches, excellent restaurants and gaudy nightclubs. Internally, Lebanon has maintained a delicate equilibrium since it gained independence from French mandate rule in 1943, by an unwritten "national covenant" apportioning political power between the Christian and Moslem halves of its population...

Author: /time Magazine | Title: World: CAUGHT IN THE MIDDLE | 1/17/1969 | See Source »

According to his original confessions, Nat Turner was aloof, but it is clear that he was not removed from, and contemptuous of, his fellows. Indeed, had he in truth been as contemptuous of blacks as Styron portrays, he would hardly have been called on to plan or partake in the theft raids they conducted. Furthermore, he would have been distrusted, disliked, and excluded. In fact, his childhood and youth would have been as desperately lonely, unhappy, and soul-twisting as was that of Styron's creation...

Author: By Clyde Lindsay, | Title: Wm. Styron Plays With Creating History | 12/17/1968 | See Source »

Fleeting Gifts. In dozens of airy canvases, Watteau portrayed the costumed promenades and the subtle indiscretions, the muted serenades and lush elegance of invisibly manicured garden estates. Collectors snapped his pictures up. Yet no matter what he showed, Watteau's view remained strangely aloof. A subtle veil of distance shrouds all his pictures, making them seem as much fantasy as reality. Unlike the nude nymphs of Boucher, Lancret and Fragonard, who with varying degrees of success were to echo his style, Watteau's aristocratic Co-lombines and shepherdesses remained fully clothed...

Author: /time Magazine | Title: Art: Final Masquerade | 11/29/1968 | See Source »

...decision that ran counter to the wishes of most of the faithful. Although he lacks the obvious warmth of John XXIII, Paul is an impressive and sympathetic figure before small audiences. "He is a man of anguish who communicates his anguish to others," says one Chicago priest. Unlike the aloof Pius XII, Paul almost never dines alone; unlike even John, who affected a quaint Renaissance mode of dress, Paul seldom wears anything more elaborate than a simple white cassock. On busy days he may meet aides with his collar open; sometimes, with cassock doffed, he is in shirtsleeves. Like Pius...

Author: /time Magazine | Title: Religion: Catholic Freedom v. Authority | 11/22/1968 | See Source »

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