Word: aloofness
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Dates: during 2000-2009
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That last barb has little to do with energy policy, of course, and nearly everything to do with the McCain campaign's desire to paint Obama as élite, aloof and out of touch. It's a story line Republicans have used against Democrats for a generation and one that McCain's team dusted off in late July with an attack ad that mocked the "Obama, Obama" chants of Democratic supporters. Then the McCain campaign released a televised spot that compared Obama to America's favorite vapid celebrities, Paris Hilton and Britney Spears. The spot barely aired as a paid...
Quite often, though strangely not in Kerry's case, the referendum gambit is a rationale for mudslinging. This year we have John McCain's attempt to paint Obama as aloof, messianic ... a celebrity, like Paris or Britney. The McCain ads have the slightly sordid quality of an inside joke: Oprah Winfrey called Obama "the One," and McCain's dyspeptic staffers latched on to that moniker, and now there's a sardonic ad using the messianic nickname, filled with celestial images of Obama smiling and orating grandiloquently, followed by Charlton Heston parting the Red Sea. When Obama--correctly--said that keeping...
...month sprint to Election Day. And surely the Obama campaign won't mind some relaxed snapshots of the candidate partaking in typical summer-vacation activities - bodysurfing, playing with his girls, eating ice cream - especially at a time when the GOP is doing its best to portray him as an aloof, out-of-touch celebrity more concerned with European crowds than with average Americans...
...when his landslide victory in the ANC's internal election showed the extent to which Mbeki had lost touch with his party rank-and-file. A stunned-looking Mbeki was heckled when he tried to address delegates, while Zuma - a populist who had championed grassroots economic grievances against the aloof and technocratic President - was cheered to an easy victory...
...Generation of the Nineties. In the updated version, Sudjojono's fragile political optimism, stemming from the hope that the Sukarno-led left and Suharto-led right might reconcile, has given way to cynicism. The expression of the artist in Sudjojono's painting is serene; in Suwage's, it is aloof. Gone are the cerulean sky, the chaotic melee of betjak drivers and army lorries, and any other form of life except for the artist, who is stripped of the mobility of Sudjojono's figure and stands pickled in stiff solitude. "We are living in a different age from Sudjojono," says...