Word: alott
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Dates: during 1963-1963
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Lear is the most titanic figure in all drama. When Carnovsky first enters, dressed in a purple tunic, a silver-trimmed orange cloak, and a heavy gray embossed baldric, he mounts an improvised black bear-skin throne, stands with right hand alott, and all those present instinctively kneel. Though an octogenarian, this Lear is no weakling. He is not just a great man; he is not even just a king; he seems to be almost a god implanted on Olympus. (In an inspired touch, this same bit of business is pathetically echoed towards the end of the play...
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