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...production was a delightful compromise between ancient and modern dress and speech. Several of the lines were delivered perhaps a bit more graphically than Aristophanes intended, but that was alright. It made me catch several that I'd somehow missed before. There were several other nice touches besides Harmony, a role filled (and how) by Laurie Campbell--including a calypso chorus to Lysistrata, and a folk-song paean to Athena. the nicest, though, was to give the Spartans ten-gallon Stetsons and Texas accents. It sort of gave you a better idea of what Demosthenes was up against...

Author: By Jerald R. Gerst, | Title: Lysistrata | 7/25/1969 | See Source »

...against filmic extinction. The filmmaker, arbiter of their future, types out a message on the screen: "Even if they were given a chance, things would, at best, turn out like this." But they are given a chance, and suddenly are back at the ruined banquet, trying to set things alright. They fail; there has been no character change. As a chandelier crushes their bodies, bombs explode (things work out worse when they are given a chance) and the film ends...

Author: By Joel Haycock, | Title: Daisies | 7/15/1969 | See Source »

...said it was alright...

Author: By Carol R. Sternhell, | Title: WBAI's Problems | 2/27/1969 | See Source »

...thought that despite the horror of this battle--worn, war-crazy, falling-apart world, there was still room in it for men to be heroic, to love, to experience joy in all its intensity. The greatest artists, the brightest people -- they were all fucked up. Maybe this was alright. What kind of happiness was he going to Esalen to buy? Would it mean giving up the tremendous pleasure that he was able to find in the real world, no matter how castrated...

Author: By Nicholas Gagarin, | Title: Esalen and Harvard: Looking at Life From Both Sides Now | 2/14/1969 | See Source »

Respectful of his heritage, Wilbur stood patiently last week before a lot of people who like Norman Mailer and Sylvia Plath (which is alright!) and read like a poet exhausted by the age. At dinner, he'd said something about growing "older and more vulgar," but in Burr he seemed young, and strangely erudite. Introducing one of his poems, "A Baroque Wall Fountain in the Villa," he dismissed the question of "transcendance and acceptance" as "sounding too much like a critic," but at other moments talked offhandedly of Pascal ("The spirit doesn't have any business denying things...

Author: By James R. Atlas, | Title: Richard Wilbur and 'Things of This World' | 12/17/1968 | See Source »

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