Word: also
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Dates: during 2010-2019
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...When asked how he juggles such an intense workload, Zellmann-Rohrer simply replies, “I always tried to think of it as a hobby or a fun extracurricular. I got through those stressful times by remembering that it was supposed to be fun, and also with the help of the great people in the Harvard theater community...
Cutmore-Scott grew up in London and came to Harvard after taking a gap year to train at the London Academy of Music and Dramatic Art. He is an English concentrator, but has also studied Russian, Italian, French, and Portuguese...
...wolf and then a female swan—and that was a great experience.” Indeed, he has had the courage to play roles ranging from that female swan to Hamlet, and from a manipulative thug to a homesexual man during the Holocaust. He has also acted in student films and improv comedy...
...four years here, Cutmore-Scott has also been focused on writing and producing original work—three of his own plays as well as the original work of others. In his very first year at Harvard, Cutmore-Scott wrote, directed, and produced “Fall,” a comedy about the ups and downs of being a freshman. “There is always a spin and twist to his writing,” Zachary B. Sniderman ’09 notes. “Even with something like ‘Fall,’ which...
Alex R. Breaux ’09, who has acted and collaborated with Cutmore-Scott several times, characterizes him as a theatrical renaissance man. “He is really a theater artist… He has the drive, but also the charm to pull off mounting a production from its hatching of an idea all the way through casting, through rehearsals, and then really put on a good product,” Breaux explains. “He has that well-roundedness that you really need to make an impact in theater.” Breaux believes that Cutmore...