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Dates: during 2010-2019
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Although Brand is reprising his role, Hill, who also had a supporting role in “Forgetting Sarah Marshall,” has embraced the chance to change roles. Instead of resurrecting his character from “Sarah Marshall”—a silly, slightly manic waiter—Hill went back to the drawing board for the mild-mannered Aaron Green...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...Brand is also involved in comedy, performing stand-up sketches and writing books. Although he is decidedly British, Brand has found a niche in American pop culture...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

Just as he uses easily-recognizable forms, Paterson also takes on a familiar, didactic voice. The poem “Correctives” depicts the narrator’s son who uses his right hand to support his left in an effort to write more neatly. As he describes this boy, Paterson derives a broader conclusion about humanity from the image: “the whole man must be his own brother / for no man is himself alone.” It would be easy to imagine this brief poem as a sort of family maxim delivered from generation...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

Although Paterson tends to use older and more traditional verse forms, his book also shows a firm grip on present-day life, displayed in his nonchalant attitude and a variety of witticisms. In the montage-like sequence “Renku: My Last Thirty-five Deaths,” Paterson at times sounds almost too playful to be taken seriously. “If I had a happier dream / this might have been a better poem,” he writes. However, it is precisely this addition of levity that offsets the often overly-sentimental voice that takes precedence...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

Eleganza, Identities, and Project East all participate in worldwide trends of cultural appropriation in couture, but they also redefine the relationship between fashion and the minority community. The particular aesthetic goals of these shows vary based on the nature of their individual relationships with ethnic communities on campus—yet all three remain committed to pursuing charitable ends despite funding complications. The product is a wholly new breed of fashion show...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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