Word: also
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Dates: during 2010-2019
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Craig Robinson’s Nick, married in the present day, is also a very funny character, especially during a cocaine-fueled recap of the “Terminator” series or in a lewd phone call to his then nine-year-old wife. He also manages to pull off a surprisingly listenable cover (or is it a debut performance?) of The Black-Eyed Peas’ “Let’s Get It Started?...
...example of that tension, Frodon cited the assassination of a Jewish Warner Bros. representative in Berlin by the Nazis as early as 1934. “Of course,” he added, “Hollywood also had to consider commercial concerns,” given that many Americans had conflicted views of the war. “None Shall Escape,” for example, did well at the box office but was far from a breakaway...
However, the film clearly had aspirations beyond the financial. Released just as the war was ending, it also functioned as a piece of propaganda: “None Shall Escape” opens and closes with the presiding judge of a war crimes trial directly addressing the audience, asking that justice be done in light of the trial...
...even Depeche Mode, it’s overwhelmingly nostalgic. On the surface, the enthusiastic and enticing sound of “Head First” gives it an immediate accessibility that Goldfrapp desperately needed to re-launch themselves into the electro-dance-pop arena. On the other hand, it also continually begs the question, “Haven’t I heard this before...
...single “Strict Machine.” “Shiny and Warm” comes close, with a pulsating rhythm that compliments Alison’s eerily beautiful vocals, but the mindless lyrics undercut the song’s efforts. “Hunt” also falls just short. The ethereal synths over which Alison’s consistently strong vocals seem to float would be absolutely mind-blowing if paired with more creative lyrics, but instead, the dull and irritatingly repetitive chorus drags the song down...