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...census may also show significant age-dependent demographic differences within ethnic groups, according to John D. Della Volpe, director of polling at the Institute of Politics, whose research indicates that income and average age differ notably between first and second generation immigrants...

Author: By Nitish Lakhanpal, CONTRIBUTING WRITER | Title: Professors Predict Census Outcomes | 4/6/2010 | See Source »

Jenny Ye ’13 has also been coordinating Census outreach events, such as tabling in front of the Science Center...

Author: By Rediet T. Abebe, CRIMSON STAFF WRITER | Title: Census Reaches Out to Undergraduate Students | 4/6/2010 | See Source »

...show is much too long, and the plot drags heavily in the middle. Suffering from surfeit scene changes and repetitive, pedantic monologues on life, sex, morality, and meaning, the show’s pacing quickly becomes bogged down in the mire of political and philosophical musings. The action also becomes unnecessarily convoluted in the middle acts, with the confusing web of deception and devious plotting further detracting from the play’s potential dramatic effect. At two hours, the show feels wearying; at almost three, it borders on insufferable...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

Musically, the production makes occasional use of the vocal talents of Stewart N. Kramer ’12, whose powerful voice opens the show with a rousing, half-drunk chorus of “Vive la Compagnie.” He also briefly appears as a sage street performer singing for his supper. For its many scene transitions, the show too-frequently utilizes the Johnny Cash song “God’s Gonna Cut You Down,” a catchy, yet repetitive tune which rather abruptly jerks the listener out of eighteenth-century France and into...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

...Also jarring is the show’s set, designed by Todd Weekley. A mishmash of wooden furniture, the piles of chairs, tables, and desks strewn about the stage evoke nothing of Revolutionary France, but instead resemble the Dorm Crew storage closet. The most successful props are a few large wooden tumbrels, which provide a versatile playground for the actors as they use the handsome carts to labor, seduce, and persecute. As a perfunctory nod to the French national motto, “liberté,” “égalit?...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

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