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Equally impressive, Viewpointe 10 also features the premiere of a new duet by the legendary Trey McIntyre, which was choreographed specifically for Harvard students...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Collaboration Helps Viewpointe 10 to Soar | 3/23/2010 | See Source »

...Also on the concert’s program are works by two members of the Harvard Dance Program’s own faculty. Harvard Dance Director Elizabeth W. Bergmann has re-staged her quartet “They Say We Travel the Same Road” for student dancers to perform in the upcoming production. Bergmann, a Julliard graduate who initiated the Viewpointe series ten years ago, said of the all-women ensemble: “[The piece] is about the idea that in life, while we may sometimes fight with the people around us, we ultimately support each other...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Collaboration Helps Viewpointe 10 to Soar | 3/23/2010 | See Source »

Harvard jazz teacher Jodi L. Allen will also be presenting her own piece, entitled “Breathe.” According to Bergmann, Allen’s choreography is sure to be “a really physical, exciting addition to the Viewpointe show...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Collaboration Helps Viewpointe 10 to Soar | 3/23/2010 | See Source »

...answer: a combination of tax increases and fiscal smoke and mirrors. The legislation raises taxes by $569.2 billion and cuts funds from Medicare and Social Security. Democrats are also able to claim that the bill cuts the deficit because, while the insurance subsidies don’t start until 2014, many of the taxes kick in within months. In other words, the changes the bill makes to the health-care system itself will cost $938 billion, as estimated by the CBO, and to fund it, Democrats use taxes and accounting gimmicks. Not only could the new revenue sources have instead...

Author: By Colin J. Motley and Caleb L. Weatherl | Title: Change We Shouldn’t Believe In | 3/23/2010 | See Source »

...keeping ability, and the belief that repeating a riff is risking stagnation. Not surprisingly, TDEP are virtuosi whose ability to maneuver odd time signatures at harrowing speeds is nonpareil. However, bands that work within a genre as schizophrenic as mathcore must be more than top-notch musicians. They must also be tasteful—too many blasts of guitar noise, time signature changes, abrupt genre switches, and monotonous shrieks, and the listeners may go running for their parents’ Simon and Garfunkel records. Thankfully, however, TDEP demonstrate such a tight command of their craft that “Option...

Author: By Mark A. Fusunyan, CRIMSON STAFF WRITER | Title: The Dillinger Escape Plan | 3/23/2010 | See Source »

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