Word: altered
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...case, a cease-fire is not now likely to alter the military situation in the East. As Indian infantrymen advanced to within 25 miles of Dacca late last week and as reports circulated that 5,000 Indian paratroopers were landing on the edges of the beleaguered eastern capital, thousands fled for fear that the Pakistani army might decide to make a pitched stand. Daily, and often hourly, Indian planes strafed airports in Dacca, Karachi and Islamabad. Some 300 children were said to have died in a Dacca orphanage when a piston-engine plane dropped three 750-lb. bombs...
...agent describing the most suitable road to heaven--but mostly he's the kind of good time Charley you'd be happy to include in any rag-tag gang. As Judas, Lloyd Bremseth has less to do; Godspell being as nonlinear as it is, he is more Christ's alter-ego than he is Christ's adversary...
...steel that many Americans grew up with is not what he used to be. For one thing, his alter ego, Clark Kent, has given up the Daily Planet to become a newscaster for the Galaxy Broadcasting System, getting in and out of blue tights and red cape during commercial breaks. ("Personally, I still prefer Walter Cronkite," a mini-skirted Lois tells him. She, at least, is unchanged-as obnoxious as ever.) For another, Superman has succumbed to urban jitters; he obviously needs to spend some time on the couch. Just listen to some of his recent complaints...
...play's delight lies in the parodies, its unavoidable weakness in the occasional dips into ho-hum solemnity. Playwright George Herman's academician alter-ego elbows aside the comic dramatist, forcing a meaning which the humorist could carry less intrusively. Herman's over-seriousness trips us the cast as well. The two straight scenes suffer from awkward blocking and sags in tempo while the comic sections skip around similar problems. What's worse, the dialogue smothers itself under a dead weight of philosophizing. Fortunately, Herman's didactic compulsion interfere only infrequently, and the comedy is allowed to bounce ahead...
Brook is constantly aware of the possibilities in film for more supple dramatic movement, and he is able to use a technique as fundamental as parallel montage to alter completely the dramatic rhythms. A long speech of Goneril's is intercut with shots of Lear riding furiously on the hunt, so that by the time the single speech is finished, the relationship of father and eldest daughter is completely redefined. And when Lear first realizes the emasculating ingratitude of Goneril and Regan ("O, reason not the need!"), Brook moves toward a close-up of the king's eyes that measure...