Word: altering
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Dates: during 1980-1989
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...tense night in the Bush camp as George and some key advisers wait for the call that could alter the course of their campaign. Fundamentalists, the defense lobby, the National Rifle Association, the National Association of Pledgers of Allegiance--the seals of approval of all these groups pale in importance next to the endorsement of our nation's most illustrious and influential media powerhouses--Coke and Pepsi...
...Polly Alter used to like men, but she didn't trust them anymore, or have very much to do with them." Is Polly anyone we know? Of course she is. This first line of Alison Lurie's eighth novel may not rank with "Call me Ishmael," but it fits an age in which communication between the sexes sometimes seems to be conducted solely through therapists and lawyers. Thus Lurie, whose The War Between the Tates (1974) was a notably witty account of sexual skirmishing, labels her new book as the trendiest of problem novels...
...another, ducked the war in Viet Nam. Others include such Reagan Administration foreign policy hard-liners as Elliott Abrams and Richard Perle, Commentator Patrick Buchanan, and even Sylvester Stallone (who taught at a girls' school in Switzerland while the Commies were being beastly to his fantasy alter ego John Rambo). A similar Quayle-like controversy also surrounds the Rev. Pat Robertson, whose father, a Senator, may have helped him avoid combat in Korea...
Water memory was more serious. If true, it meant that water was somehow able to retain a memory of substances that had been dissolved in it. Physicists and biologists would have to drastically alter their view of matter, and pharmacologists would have to rethink conventional drug treatment. Moreover, homeopathic medicine, a fringe practice in the U.S. that is widespread in France, would get a boost. Homeopaths believe that extremely dilute solutions of some potentially harmful drugs, vigorously shaken -- a common homeopathic technique -- can treat disease...
...turn the hangar into a giant theatrical "black box," Sirlin invented a brilliant three-dimensional dreamscape that uses holographic projections in place of sets to alter the show's physical and mental terrain. Nine projectors throw a kaleidoscope of images onto a small raked stage and side panels, creating a cinematic illusion in which the actor can dash up the steps of an apartment building and vanish inside or float high above New York. The shift is instantaneous -- like putting a live actor into a movie. Operatic design may never again be the same...