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...virus," says Gallo, "is that we can learn why one is pathogenic and the other isn't." By identifying which component of the AIDS virus is responsible for its deadly effects, researchers may be able to develop new drugs that specifically inhibit it. They may also be able to alter the virus genetically to remove its harmful traits, leaving a benign version that could serve as a vaccine...

Author: /time Magazine | Title: Medicine: Closer to an Aids Vaccine? | 4/7/1986 | See Source »

...while several developers are trying tobuild in the community and alter its appearance,it is Harvard that neighbors say they fear anddistrust the most. The neighborhood particularlyobjected to the school's 10 Mt. Auburn Streetproject because it was "too Harvard...

Author: By Daniel B. Wroblewski, | Title: Development Threatens Bank St. Neighborhood | 4/2/1986 | See Source »

...televise or not to televise has been a controversial question. The Senate killed three previous attempts, in 1981, 1982 and 1984, to allow video coverage. Those opposed to cameras in the chamber feared that exposure would forever alter the leisurely, idiosyncratic, old-boy nature of the Senate, which allows unlimited debate and endless quorum calls, and that the public would not understand or approve the legislators' arcane customs. "Unlimited debate," said Louisiana Democrat J. Bennett Johnston, "is not a pretty thing to watch on television . . . It is a messy, untidy spectacle to watch, but I think it is vital...

Author: /time Magazine | Title: On the Air: The Senate votes for television | 3/10/1986 | See Source »

...comparison argument can be scrapped because no "values" can alter the fact that the jobs provided by American corporations are leaving the predominantly Black inner cities, and being replaced by low-paying service jobs...

Author: By Emil E. Parker, | Title: Modeling Minorities | 3/4/1986 | See Source »

...Center on the UCLA campus), a centrally located small orchestra of 24 is surrounded by six soloists scattered around the room, performing at various times on amplified xylophone, vibraphone, cimbalom, harp, celesta, electric organ, two pianos and percussion. The sounds are fed into a bank of computer-synthesizers, which alter and transform them according to a predetermined program and project them out again through loudspeakers hung over and around the audience. The drama lies in the confrontation between the acoustic and the amplified instruments. Ghostly trills float above rumbling repeated figures, brasses punch out long discordant lines, and the shimmering...

Author: /time Magazine | Title: Pierre Boulez: The Soul of a New Machine | 2/24/1986 | See Source »

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