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...tribute, Blackwood followed the Five Pieces with his own Three Short Fantasies, Op. 16 and John Perkins' Caprice (1963), which Blackwood commissioned when the two composers were colleagues at the University of Chicago. Both works begin with Schoenbergian flurries of pianistic cacophony; both depend for internal variety on the alternaton of different timbres, registers, and pianistic effects; and both are long--perhaps too long for the basically epigrammatic nature of the twelve-tone idiom. Without demeaning the compositions themselves, I must say that by the time Blackwood got to the Perkins Caprice, the startling newness and intriguing qualities...

Author: By Robert G. Kopelson, AT PAINE HALL MONDAY NIGHT | Title: Easley Blackwood | 5/3/1967 | See Source »

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