Word: although
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Dates: during 1990-1999
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...serve openly in the military if they are elected. While some discomfort among close-minded people may initially arise, the overall effect will promote dialogue and understanding. Discomfort is not a valid justification for discrimination and prejudice. The current policy only causes witch-hunts and limits individuals' free expression. Although Private Winchell can never return, this much-needed, long-awaited change in military policy can prevent such atrocities from occurring in the future...
Levy, along with three other members of the five-member election board, had said repeatedly that Burton and Driskell--who won the campus-wide election for president and vice president in a landslide--exceeded their spending limit by $5 to $10, although he would not release the exact amount...
...Other Half Loves, confronted and solved the problem of how to find subtler, darker and more naturalistic ways of presenting his characters. As Dave Moss, Christian Roulleau '01 is proof of Ruiz's success. He appears to have mastered the naturalistic intonations and body language called for by Glengarry. Although, at first glimpse, Roulleau's character seems to be in danger of becoming rehearsed, soon he expertly shapes and surfaces the dark, manipulative undercurrent of Moss's persona, as well as his jealousy and frustration. David Waller '00 occasionally flounders but eventually pulls through in his well-defined portrayal...
...your-face language that Mamet prefers to call "poetry" rather than realism. Ruiz directs his cast according to Mamet's concept of "practical aesthetics," which emphasizes intention and reaction. The actor's mind must work quickly, switching from one tactic to another in order to get what he wants. Although there are moments where the actors seem to lose the freshness of the moment, they manage to conjure up the intense and dynamic interaction that the aesthetic requires...
...Although its humor is often dark, comedy does not escape this production. As the precociously naive and fashion-impaired George Aaronow, Juri Henley-Cohn ('00) delicately handles and balances a role which, had it been exaggerated, might have destroyed the naturalism of the piece. As Shelley Levene, an aging seller desperate for a comeback, Paul Monteleoni ('00) continually provides the play with energy and freshness. If ever this humorous vitality turns unwieldy, Monteleoni always manages to rein himself back in with a sudden change of tone or an expression that reestablishes realism in the scene. Although saddled with...