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Among businessmen, the bishops' letter evoked mixed responses. "I came away with a feeling that these are well-meaning people who really don't understand our capitalistic system," said Admiral Elmo Zumwalt Jr. (ret.), chairman of Milwaukee-based American Medical Buildings. But Roger Altman, managing director of Shearson Lehman/American Express and a self-described "serious Catholic," was sympathetic. Said he: "Our society has an obligation to the underprivileged, and the degree to which we haven't made progress in raising their living standards is enormously troubling." Observed Joseph Pichler, a Catholic who is president of Dillon...

Author: /time Magazine | Title: Am I My Brother's Keeper? | 11/26/1984 | See Source »

...Richard Altman...

Author: /time Magazine | Title: Letters: Mar. 19, 1984 | 3/19/1984 | See Source »

Seven years later, through Director Robert Altman's camera eye, we can see that Streamers is only incidentally about Viet Nam. Men do not need a war to touch their heart of darkness, Rabe seems to suggest; the threat of human intimacy is provocation enough. Are they men like Billy (Matthew Modine), a fresh-faced lad with a college education? Or Richie (Mitchell Lichtenstein), an upper-class homosexual with a taste for taunt? Or Roger (David Alan Grier), a sweet-natured black who deflects each insult with a shrug? Or Carlyle (Michael Wright), the slum-bred black spoiling...

Author: /time Magazine | Title: Cinema: Raking Up the Autumn Leavings | 10/17/1983 | See Source »

...Altman's principal actors won (and deserved) an ensemble award at last month's Venice Film Festival; but Wright's is the star presence here. He curls his lips around Carlyle's jive slurs until they are twisted into madhouse poetry. He glides through the barracks like a hipster on a death mission. Charlie Parker, meet Charlie Manson. Carlyle is the creepily irresistible spirit of all wars, hot and cold, global and interior, war without end, amen . - By Richard Corliss...

Author: /time Magazine | Title: Cinema: Raking Up the Autumn Leavings | 10/17/1983 | See Source »

...long before Altman woke her from her pre-Hollywood slumber, Duvall had been collecting antique illustrated fairy-tale books. She was charmed by the stories, but bewitched by the pictures: dreamy Maxfield Parrish landscapes, bold N.C. Wyeth seascapes, puckish Arthur Rackham characters. While in Malta in 1980, playing Olive Oyl opposite Robin Williams in Altman's film Popeye, a vision of the rubbery Williams as a vain and manic frog prince leaped into her head, and the notion of Faerie Tale Theatre was born. Each tale would have different players and be colored by the visual style...

Author: /time Magazine | Title: Video: Cinderella Puts On a Show | 7/25/1983 | See Source »

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