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...main lesson of his first 15 years in Hollywood, says Director Robert Altman, 45, was to "get comfortable in my own failure." A bit too unorthodox for those orthodox days, he had been fired by Jack Warner and tangled with a lot of lesser producers. Richard Zanuck, chief of 20th Century-Fox, says that he would never have hired Altman for his last picture if he had known that Altman had previously made That Cold Day in the Park. Elliott Gould compared Altman to General Custer: "He always seemed on the verge of some sort of external defeat." But since...

Author: /time Magazine | Title: Show Business: Creation in Chaos | 7/13/1970 | See Source »

What used to trouble Hollywood about Altman was that he turned the totalitarian trade of film directing into democracy, if not anarchy. Far from strutting around on the set with a riding crop, Altman is likely to operate the clapstick himself and encourage suggestions from second assistants and electricians. An Altman film is more like an improvisational encounter group than a showcase for stars and plot. Sally Kellerman, who played Nurse Hot Lips Houlihan in M*A*S*H, reports that "even my analyst said it did more for me than a man could." Working for Altman, says Sally...

Author: /time Magazine | Title: Show Business: Creation in Chaos | 7/13/1970 | See Source »

...surprising, therefore, that 16 members of the M*A*S*H cast and crew, including Sally and John Schuck (who played Painless the priapic dentist), are now happily reunited in Houston shooting Altman's next film, Brewster McCIoud. Altman says that it is "an adult fairy tale'' about a man who lives in the Astrodome and learns to fly. "It's about insanity. It's about cruelty; but the main physical substance is bird s..t." And the droppings (made by prop men from sour cream, mustard and paint) are as plentiful as the blood...

Author: /time Magazine | Title: Show Business: Creation in Chaos | 7/13/1970 | See Source »

...entry, M.A.S.H., to clear away the nasty aftertaste of commercialized commitment. Oddly enough, this was the one protest film based on the uses of bad taste-an insanely funny movie expressing the moral disproportion between war and lesser evils by showing the reality of both. As Director Robert Altman said: "Politics? I'm more concerned with behavior, with the insanity of order. This whole syndrome-the new films, and acting things out in protest-this may be a cry for revolution, yet through these media a bloodless...

Author: /time Magazine | Title: Show Business: Revolution on the Riviera | 5/25/1970 | See Source »

During the riot, all of the windows in Headquarters East were broken, the door was torn from its hinges, and extensive looting took place. Altman said that the looting stopped only after a group of Harvard students formed a protective ring around the store to drive off the looters...

Author: By Michael Ryan, | Title: Store Owner Seeks Damages | 5/20/1970 | See Source »

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