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Easter weekend in the Mississippi town of Holly Springs. Old Cookie Orcutt (Patricia Neal) is fixin' to die--and does--while her niece Camille (Glenn Close) is staging a Salome pageant at the First Presbyterian Church. Complications, of the sort Altman has been perping for decades, ensue. And though Neal, Charles S. Dutton (as Neal's best friend) and Liv Tyler (as the town's wild child) have charm to burn, the film mostly simmers. Like Camille's theatricals, the Anne Rapp script dawdles through predictable Southern Gothic plot twists that a real writer like Beth Henley would...

Author: /time Magazine | Title: Cinema: Cookie's Fortune | 4/12/1999 | See Source »

...year's release. And all that frantic buzz! The worst aspects of Hollywood are collected up there, as in an appendix, inflamed and waiting to burst," he says, quick to add that "that's true of most festivals, not just Sundance." This year the buzz is swarming around Robert Altman's "Cookie's Fortune," starring Glenn Close, which opens the festival Thursday evening, as well as Allison Anders' new feature, "Sugar Town," in which former Duran Duran member John Taylor portrays a washed-up rock star. No word yet on whether any of the entries involves two guys...

Author: /time Magazine | Title: Is Sundance Over the Hill? | 1/21/1999 | See Source »

...August, former Crim- son Editorial Chair Daniel Altman '96 andformer Crimson Photography Chair Gabriel B. Eber'97, conceived the idea of naming the square forSorrento. Altman approached Duehay, whoimmediately expressed enthusiasm...

Author: By Christopher C. Pappas, CONTRIBUTING WRITERS | Title: Mayor Names City Corner for Sorrento | 11/23/1998 | See Source »

...Daniel Altman '96, a graduate student in the Department of Economics and a former Crimson executive, also was a student...

Author: By Suzanne M. Pomey, CONTRIBUTING WRITER | Title: Amartya Sen Wins Nobel Prize For Economics | 10/15/1998 | See Source »

Spielberg's first important theatrical film was The Sugarland Express, made in 1974, a time when gifted auteurs like Scorsese, Altman, Coppola, De Palma and Malick ruled Hollywood. Their god was Orson Welles, who made the masterpiece Citizen Kane entirely without studio interference, and they too wanted to make the Great American Movie. But a year later, with Jaws, Spielberg changed the course of modern Hollywood history. Jaws was a hit of vast proportions, inspiring executives to go for the home run instead of the base hit. And it came out in the summer, a season the major studios...

Author: /time Magazine | Title: The Moviemaker STEVEN SPIELBERG | 6/8/1998 | See Source »

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