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Word: alto (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...field outside Palo Alto, Calif, last week, a small metal doughnut, six feet across and two feet thick, bustled noisily into the air, then hovered seven feet off the ground. The pilot rode on a platform above the disk, protected by a pipe enclosure. The contraption had no wings, no visible helicopter blades. On display for the first time was the Flying Carpet, built by Hiller Helicopters for the Office of Naval Research...

Author: /time Magazine | Title: Science: Flying Carpet | 4/18/1955 | See Source »

...Octet (Lennie Niehaus; Contemporary LP). Some entrancing counterpoint, arranged by West Coast Alto Saxophonist Niehaus...

Author: /time Magazine | Title: Music: New Pop Records, Apr. 4, 1955 | 4/4/1955 | See Source »

...Navy cruiser and battleship skipper between world wars, member (with Physicist Vannevar Bush, Harvard President James B. Conant, Army Lieut. General Wilhelm D. Styer) of the nation's top policy panel on military use of atomic weapons during the three wartime years before Hiroshima; of pneumonia; in Palo Alto, Calif...

Author: /time Magazine | Title: Milestones, Mar. 21, 1955 | 3/21/1955 | See Source »

...three different pianists and two drummers-on the conventional drum set-and used his three saxophones solo, duet, and trio. It was a changing group, and since many of the men had never played together before, they had no choice but to experiment. Sonny Watson occasionally laid aside his alto saxophone and took up the flute. It was barely audible at times, but his few solos proved that the instrument can be used effectively in jazz. John Lewis' use of the conga drum was less novel perhaps-both it was "new sound" to many and very well received. For Alan...

Author: By Peter G. Paiches, | Title: 'Experimental' Jazz | 3/9/1955 | See Source »

...depends on the performer's feeling at a given moment, there were ups and downs. Ed Conte of Adams sat in at the piano until the other two pianists arrived and did some excellent work with a "blocked chord" style. In All the Things You Are Watson on the alto and Ray Pitts on the tenor sax-the only two with much experience together-engaged in a beautifully fluid duet in the current "counterpoint" style. Lewis on the conga drum and Arnold Palmer on the regular drum outfit both achieved tympanic effects from their instruments in a highly amusing question...

Author: By Peter G. Paiches, | Title: 'Experimental' Jazz | 3/9/1955 | See Source »

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