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Word: altona (lookup in dictionary) (lookup stats)
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...Condemned of Altona. Hating Hitlerism is like opposing poison ivy. It is a sensible thing to do, but at this late date it is a difficult thing to do in an original or even interesting way. In The Condemned of Altona, a five-act drama produced four years ago in Paris, Philosopher-Playwright Jean-Paul Sartre almost turned the trick. His play transformed turgid history into skillful theater and tired slogans into existential epigrams. This film, adapted freely from the drama, presents even more impressive credentials. It is directed by Vittorio De Sica. It stars, along with Fredric March...

Author: /time Magazine | Title: Cinema: It's That Mann Again | 9/27/1963 | See Source »

...consideration as a great playwright." By a great screenwriter he means Abby Mann. Passing through New York, Mann had seen a preview version of the editing job that Director De Sica had applied to the latest Mann screenplay-an adaptation of Jean-Paul Sartre's The Condemned of Altona. Mann was displeased. He typed out five single-spaced pages of complaint, leaped aboard a plane for Rome, and told De Sica to change the film or drop the name of Abby Mann from the screen credits. Last week, improbable as it may seem, De Sica completed his second week...

Author: /time Magazine | Title: Hollywood: The Crusader | 3/22/1963 | See Source »

...Ligurian Sea. Her hair, done up in a bun, hung down in humid strings about her face and neck. He was rumpled. Both were tired from filming Jean-Paul Sartre's The Condemned of Altona in the town of Tirrenia. In one of those private moments that public figures rarely show the world, Sophia Loren wrapped her brawny arms around Carlo Ponti, her short, balding spouse, in a tender Neapolitan embrace. The photographers were not far away...

Author: /time Magazine | Title: People: Jul. 27, 1962 | 7/27/1962 | See Source »

...next picture, De Sica will direct Sophia in a loose adaptation of Jean-Paul Sartre's The Condemned of Altona. The screenplay has perhaps the darkest plot that has ever thickened. A young German (Max Schell) feels so guilty about his part in the war that he becomes a dope addict. Various women try to cure him with love, first his sister, then his sister-in-law (Sophia Loren), but not even that much sex can help him. He has a fight with his ex-Nazi father (Fredric March), then a reconciliation. Then both men commit suicide...

Author: /time Magazine | Title: Hollywood: Sent for One | 4/20/1962 | See Source »

...four days after each one, then starting in on another. She has three new pictures completed (Five Miles to Midnight, Madame Sans Gêne, Boccaccio '70) and five more in preparation (To the Victors, A Shot in the Dark, Of Human Bondage, Moll Flanders, The Prisoners of Altona...

Author: /time Magazine | Title: Movies Abroad: Much Woman | 4/6/1962 | See Source »

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