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...points), Boston University (19 points), and a triple-overtime victory against William and Mary (19 points) sparked high hopes for the Crimson as it entered its conference season and brought additional media attention from the likes of Time Magazine, ESPN, and Sports Illustrated, all concentrated on the humble Palo Alto, Calif. native...

Author: By Emmett Kistler, CRIMSON STAFF WRITER | Title: MALE ATHLETE OF THE YEAR RUNNER-UP: Lin Gains National Respect in Storied Career | 5/27/2010 | See Source »

Among the reasons for choosing Moody for this recognition, Everett explains, was the musician’s innovation and influence in the jazz style of Bebop in the late 1940s, his musicianship with the flute as well as the tenor and alto saxophone, and his love for the music he creates. In addition, Moody is able to make his music accessible, while never abandoning his personal style...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: OFA Honors Moody's Jazz | 4/6/2010 | See Source »

With both the UCF Invitational and the Stanford Invitational taking place this past Saturday, Crimson coach Jason Saretsky split his team between the sunny climates, with sprinters, jumpers, and throwers traveling to Orlando, Fla., and middle-distance and distance runners going to Palo Alto, Calif., to compete in more individually-focused meets...

Author: By Stephanie E. Herwatt, CONTRIBUTING WRITER | Title: Track Splits Up, Finds Individual Success | 3/29/2010 | See Source »

...amazing stereo system.” Now a lawyer in Wyoming, he is reserved but friendly: after being thanked for agreeing to an interview, he says, “Oh, you bet. Hold on just a minute while I shut my door.” Ed played alto sax in the Harvard Band, becoming drill master senior year...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Harvard That They Knew | 3/11/2010 | See Source »

...sound of a trumpet. This was obvious on “When I Grow Too Old To Dream,” a 1935 tune which Elling quickly belted out, as if to get the words over with, then carefully leaned into notes, producing a searing, rich sound like an alto saxophone. Carter, on the other hand, rollicked over her melody with a slight glissando. At the same time, her raw, grainy sound evoked the subtle sadness and melodic cry of the human voice, which provided a nice counterpoint to Elling’s precise pitch placement...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

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