Word: amado
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Dates: during 1960-1969
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Hover in Twilight. By then, Asturias was one of the favorite writers of Guatemalan intellectuals; he had established himself, along with Brazil's Jorge Amado (Gabriela) and Argentina's Jorge Luis Borges (A Personal Anthology), as one of Latin America's most important literary voices. His first major novel, The President (1946), was a razor-edged indictment of Cabrera-style caudillismo. Three years later, he completed Men of Corn, an intense, poetic treatment of the poverty, hopelessness and dark mysticism that haunt the life of the Guatemalan Indian. Over the next ten years, he produced a trilogy...
...Laxness touches with song the most unlikely events, from Jon of Skagi's self-appointment as custodian of the town lavatory to a great debate that raged in Iceland about whether the establishment of barbershops should be permitted. As a storyteller, Laxness shares with Brazil's Jorge Amado (TIME, May 28, 1965) an infectious zest for the eccentricities of ordinary people and a genial affection for those resolute fish in humankind who dare to swim against the tide...
Shepherds of the Night does not quite reach the superb level of such earlier Amado classics as The Violent Land or Gabriela, Clove and Cinnamon, but it ripples with the special inner music that has made Amado's work popular the world over. Like all Amado's novels, this one is filled with the coppery women of Bahia and the men who chase them through nights of song and stars. They can all say with Amado, "What I tell I know because I lived it, not because I heard it told...
...Open the jug of rum and give me a swallow to clear my throat." That is the way tales are begun in northeastern Brazil. And when the storyteller is Jorge Amado, it is well to take another swallow and settle back for an epic journey into passion, music, gambling, a bit of fighting and all manner of discursive side trips; Amado holds that there is "nothing worse than telling a story hurry-scurry, slipshod, without carefully analyzing everything...
...this new novel, his fifth to be issued in the U.S., Amado, 54, tells tall tales of Bahia, the great, sun-drenched seaport that the Brazilian government calls Salvador. The first of his three themes deals with the astonishing marriage of Corporal Martim-a cardsharp and famed capoeria* fighter-to Marialva, who is as beautiful as a saint in a procession but as dark and devious as Lilith. This story soon blends with one about Negro Massu and the christening of his blue-eyed son. There are problems here, since Ogun, the Voodoo god of iron, has been named godfather...