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...Ushio Amagatsu, 34, who founded Sankai Juku (the name means studio of the mountains and the sea) in Tokyo in 1975, and remains its director as well as one of its five performers, works in a style of contemporary Japanese dance called buto, in which, he has written, "the body enters a state of perfect balance. Buto belongs both to life and to death. It is a realization of the distance between a human being and the unknown." Like other artists working from within a conception of Japanese modernism-the film director Nagisa Oshima, the designer Issey Miyake-Amagatsu...

Author: /time Magazine | Title: Dance: Journey Without Maps | 11/12/1984 | See Source »

...Amagatsu and his four dancers coil and slide, curl and waddle, spring and go still, they seem to shape themselves into grooves. Their bodies, whitened with traditional Kabuki makeup, can go as stiff as steel beams being hoisted skyward on a cable, as supple and serpentine as a garden stream. When Amagatsu moves diagonally across a stage past two huge brass circles in Jomon Sho, the movement is a piece of modest majesty that sets down a single, perfect line in Sankai Juku's geometry of mystery...

Author: /time Magazine | Title: Dance: Journey Without Maps | 11/12/1984 | See Source »

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