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...Sears' odd amalgam of its rivals' successful retailing strategies seems a bit disorienting, consumers may have to get used to it. Until now, the Grand store has been just a small-scale experiment to lure shoppers in more often and stop Sears from being squeezed by discounters on the low end and big-box specialty retailers on the high end. Think of it as the wider side of Sears. But in the wake of last week's $11 billion megamerger with floundering discounter Kmart, the Sears Grand could be the foundation of an extreme and long-overdue makeover. By melding...

Author: /time Magazine | Title: Two-For-One Sale | 11/29/2004 | See Source »

...most controversial decisions Taniguchi made was to retain the famous amalgam of fa?ades along the museum's West 53rd Street side. The product of five separate building campaigns, the streetscape features successive fa?ades by Edward Durrell Stone and Philip Goodwin, Philip Johnson, and Cesar Pelli. Taniguchi argued to keep them intact?as a kind of history of modern architecture. This fueled early mumblings that the renovation was an opportunity lost, a glorified embalming rather than a genuine rebuilding. Dismissing such complaints, Taniguchi says: "Unlike many museums, MOMA faces a street, not an avenue, so even if I did something interesting...

Author: /time Magazine | Title: Radical Restraint | 11/22/2004 | See Source »

...romantic comedy. There are some glimpses of the old Bridget: smart, funny, wholly lacking in decorum. But these moments are outnumbered by the formulaic structure of the narrative, to the point where we’re not sure whether this is Notting Hill, Love Actually, or just some hideous amalgam of all the other resolutely WASPy, sickly-sweet Richard Curtis creations...

Author: NO WRITER ATTRIBUTED | Title: Happening | 11/19/2004 | See Source »

...these oh-so Bridget moments are outnumbered by the formulaic structure of the narrative, to the point where we’re not sure whether this is Notting Hill, Love Actually, or just some hideous amalgam of all the other resolutely WASPy, sickly-sweet Richard Curtis creations: There’s the wacky car chase through central London to a Motown soundtrack. The even wackier minor characters that swear like sailors and smoke like particularly industrious chimneys. Bridget falling flat on her face, a lot. Further plundering of the Aretha Franklin catalog. And, of course, that stalwart...

Author: NO WRITER ATTRIBUTED | Title: Film Review | 11/12/2004 | See Source »

...truthfulness that comes from characters drawn from life. Heidi was an art-school tomboy type Shortland had observed while working in a jeans shop in Canberra, where she grew up, while Bianca's Asperger's brother, in whom Heidi sees a mirror image of herself, is an amalgam of the children the director worked with as a teaching aide at a special school in Sydney. "There's something beautiful about their fixation with detail," Shortland recalls. The same could be said of her own painterly eye. And her extraordinary ability to stir empathy for the souls in her celluloid snow...

Author: /time Magazine | Title: Love Under the Glass | 8/30/2004 | See Source »

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