Word: amanda
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Dates: during 1960-1969
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...radically new Hedda has sprung is simply stated in the program notes by Ted van Griethuysen, who directed the play and is also the company's artistic director: "Hedda Gabler is a good person." The premise itself is highly debatable. Is Falstaff a good person? Are Ivanov and Amanda Wingfield good persons? As soon as a great playwright has performed an in-depth analysis and portrayal of a character, that character transcends the confining categories of good and evil. Such a character then becomes rich, opaque, fascinating, and strangely elusive of definition-in precisely the way that provocative...
Coward was the first laureate of the beautiful brittle people. Amanda (Tammy Grimes) and Elyot (Brian Bedford) had been married (tempestuously), then divorced (bitterly), and meet again with new spouses on a terrace (naturally) in the South of France. The old magic still works potently, and they "elope" together-self-acclaimed wicked imps of sin and guilt. Their shunned and stunned mates (Suzanne Grossmann and David Glover) discover that they are truly meant for each other and not for Elyot and Amanda...
Futz loves his pig. That isn't graffiti; it's a plot. Futz is an Appalachian farmer whose great pleasure in life is making love to a porker named Amanda. Naturally, his narrow-minded neighbors are upset. The village slut plots revenge on Farmer Futz after he invites Amanda along on a tryst. She persuades a local homicidal maniac to claim that he killed a village girl only after seeing Futz and Amanda in the throes of passion. That's grounds right there for the sheriff to grab Futz and toss him into jail, where the indignant...
HOUSTON, TEXAS. Town and Country Dinner Theater. Noel Coward's classic farce Private Lives finds Amanda and Elyot, who were previously married to each other, in adjoining Riviera hotel rooms with their new mates...
...Amanda is never seen. Presumably, no pig was willing to take the part...