Word: amanda
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Dates: during 1990-1999
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...both narrator and player, providing "truth in the pleasant disguise of illusion." The message: we will be witnesses to Williams' personal history as well as to dramatic fiction. The fusion results, of course, in a richly poetic play about three people who are trapped by circumstance and one another. Amanda Wingfield, an erstwhile Southern belle, clings to the past. Her daughter Laura is a physical and emotional cripple who can bear to do nothing more challenging than tend her collection of miniature glass animals. Laura's brother Tom, a warehouse worker with a poet's soul, longs to escape...
...across his face is a tiny cornucopia of rue, love, self-disgust, fear and resignation. Calista Flockhart's Laura is near perfect, her pathological shyness so organic that it is painful to watch. Only a tendency to sing her words mars her performance. As the Gentleman Caller upon whom Amanda pins her great hopes for Laura, Kevin Kilner is properly hearty, even if his self-assurance seems a bit put on rather than intrinsic...
Victoria H. Jueds; Jae K. Kang; Jessie K. Liu; Heather C. McGlinn; Eloise H. Pasachoff; Wena Poon; Monica R. Salamon; Amanda J. Schaffer...
...lord Marsellus Wallace (Rhames), retrieve a briefcase from some cheating kids. Three people die there, and a fourth in a getaway car. A specialist (Keitel) drops by to supervise the cleanup. At a diner, the henchmen's breakfast is interrupted by a thrill-crazy young couple (Tim Roth and Amanda Plummer) staging a holdup. He and Vincent go to see Marsellus, who is telling an aging boxer named Butch (Willis) to throw his next fight. Later, Vincent buys some potent heroin, then escorts the boss' sexy wife Mia (Thurman) for a toxic night on the town. Vincent gets...
...going to New Hampshire to buy," said Amanda S. Close...