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Word: amara (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...them capable of turning in consistently competent and often inspired performances. They include Victoria de los Angeles, Elisabeth Schwarzkopf, Antonietta Stella, Eleanor Steber, Sena Jurinac, Lisa Delia Casa, Irmgard Seefried, Leonie Rysanek, Risë Stevens. Backing them up is a promising and fast-rising crop of newer stars: Lucine Amara, Anna Moffo, Gloria Davy, Leontyne Price, Birgit Nilsson, Anita Cerquetti, Aase Nordmo-Lovberg, Rosalind Elias, Irene Dalis...

Author: /time Magazine | Title: Music: Diva Serena | 11/3/1958 | See Source »

Singers: Sopranos Lucine Amara, Mary Curtis-Verna, Gloria Davy, Leontyne Price, Eleanor Steber; Mezzo-Sopranos Nan Merriman and Regina Resnik; Contralto Jean Madeira; Tenors David Lloyd, Jan Peerce. Richard Tucker; Baritones George London, Robert McFerrin and William Warneld...

Author: /time Magazine | Title: Music: Culture for Export | 3/17/1958 | See Source »

Breaching the Morice line is the specialty of a 1,600-man F.L.N. commando led by a onetime laborer called "Colonel" Laskri Amara, who prowls the strip between the fence and the Tunisian border. Amara's men operate with insulated wire cutters, drive cattle in to set off the land mines sown along the line and frequently draw French troops away from a genuine breakthrough by first feinting an attack on the fence in a totally different location. By these means-and the simple expedient of sending many convoys south of Tebessa where the Morice line ends-the F.L.N...

Author: /time Magazine | Title: Foreign News: Short of War | 3/3/1958 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). The Magic Flute, with Amara Hur ley, Sullivan, Uppman, Hines...

Author: /time Magazine | Title: TELEVISION: Program Preview, Mar. 11, 1957 | 3/11/1957 | See Source »

...young, handsome, slender performers. But their Juilliard-type excellence somehow did not thrill. Baritone Theodor Uppman tried hardest and succeeded best as Papageno, the comical birdman; partly thanks to Ruth and Thomas Martin's competent translation, he put across his role with almost Broadway-like punch. Soprano Lucine Amara (Pamina) sang beautifully, and Roberta Peters (Queen of the Night) did her bell-like best despite a cold. But Tenor Brian Sullivan (Tamino) was dry-voiced and stiff-backed; Basso Jerome Hines, while he hit all of Sarastro's low notes, failed to be really moving...

Author: /time Magazine | Title: Music: Flat Flute | 3/5/1956 | See Source »

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