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...were tentative and seemed a bit unsure, but as she worked her way through four works by Guilio Caccini, she one could hear the strength coming into her voice. Bartoli showed hints of her vocal range by alternating between faster, animated songs ("Tu ch'hai le Penne, Amore," and "Amarilli") and slower, more sedate songs, such as "Belle Rose Porporine" and "Al Fonte, al Prato...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Damsel in 'Dis Dress | 11/3/2000 | See Source »

...Renaissance harp, an instrument about the size of an abnormally large cat and held in the lap similarly. These ballads, with names like "My thoughts are winged with hope" and "Watkin's Ale" combined with the petite harp to bring to mind images of wandering minstrels. The last piece, "Amarilli," was an effective and thoughtfully chosen ending, as it combined the Italian and English traditions, drawing together the first and second halves of the concert...

Author: By Melissa Gniadek, CONTRIBUTING WRITER | Title: Happiness Is a Warm Harp, In This Case | 12/4/1998 | See Source »

...swell and vibrato. But, here it is necessary to keep in mind that there is substantial historical evidence in support of all that Brueggen does, and that the degree of freedom in regulated in accordance with the style of composition. 'Thus, while the unaccompanied van Eyck Variations on "Amarilli" were played quite freely, the more strictly constructed Bach sonata received an appropriately less rhapsodic treatment...

Author: By Stephen E. Hefling, | Title: Going Baroque | 11/3/1972 | See Source »

...choral high point was the group of three light, spirited chansons by Janequin, executed with superb timing and diction. They also pointed up the poignancy and dramatic expression of the following Cruda Amarilli by Marenzio, the greatest Italian madrigalist, who shows the influence of the oncoming Baroque...

Author: By Caldwell Titcomb, | Title: The Renaissance Choir | 5/2/1955 | See Source »

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