Word: amazonians
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...even some technocrats who have guided Brazil's development reluctantly concede that progress has largely benefited an elite few. Despite the forest of new skyscrapers rising in booming Sào Paulo and the highways cutting through the "green hell" of the Amazonian jungle, perhaps 70% of the nation's people still live outside the money economy in appalling poverty. Brazil stands only 13th among Latin American nations in per capita income ($520 a year), below even backwaters like Surinam. The average life expectancy is only about 50 years (against 67 in Castro's Cuba), and infant...
Posted as a consul in South America, in 1910 Casement again investigated the exploitation of rubber, and reported that Amazonian Indians were being as cruelly abused as if their masters had studied sadism in the Congo. This time, though, the villain was an English-owned company. Despite foot dragging back home and prevarication by the Peruvian government, it was forced to moderate its practices. In 1911 Casement was knighted for his effort, though he was now openly convinced that empire, left in the hands of commercial entrepreneurs, inevitably debased and destroyed the primitive communities whose land and labor they controlled...
...most mysterious, least-known area of man's universe does not lie in the farthest reaches of outer space. Nor is it found in the most remote Amazonian jungle or in the inky blackness of the Mariana Trench. It is located instead in side the human skull, and consists of some 3½ pounds of pinkish-gray mate rial with the consistency of oat meal. It is, of course, the human brain...
...military bends over backwards to attract foreign investment with tax exemptions and guarantees. For example, Alcan (Canadian subsidiary of Alcoa) got favorable terms for mining Amazonian bauxite deposits, being allowed to raise more than 80 per cent of its working capital in Brazil without taking a Brazilian partner...
Even to operagoers who cheer her vocal brilliance, Soprano Joan Sutherland has often seemed to have the personality of an Amazonian Barbie doll: imposing, but stiff and cool. Recently she dispelled much of that reputation with her hearty clowning in the Metropolitan Opera's production of Donizetti's The Daughter of the Regiment (TIME, Feb. 28). Last week, with her appearance in the first of two 30-minute TV shows called Who's Afraid of Opera? (PBS), her humanization seemed complete. Singing, lecturing, bantering with a trio of puppets, she was revealed as a thoroughly warm...