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Over the years, Cousteau has become as complex as any phenomenon he finds in the sea. He has tried his hand at painting (his pictures turn out vaguely surrealistic), relaxes aboard the Calypso with an accordion. Despite his scholarly air, accented by amber, half-lens spectacles, Cousteau is a man with an antic turn of mind, loves to improvise wacky film scenarios (a nearsighted bull gets contact lenses, routs the matador and escapes, only to starve because he cannot see the grass). But Cousteau is also a leader of men. When an inexperienced diver drowned trying to find the anchor...

Author: /time Magazine | Title: Sport: Poet of the Depths | 3/28/1960 | See Source »

...visiting Minneapolis Symphony under Conductor Antal Dorati. Each of Schuller's studies took its name from a Klee painting, tried to preserve the rhythms of the work and in some cases the colors. Antique Harmonies, for instance, is a canvas of overlapping blocks, ranging from near black through amber, ochre and brown to brighter colors; to Schuller, it suggested a hushed, dense background of woodwinds, interrupted by "the brighter yellow of the trumpets and high strings." Klee's famed Twittering Machine, which looks something like an inverted mobile from which fishing lures have been suspended, inspired Schuller...

Author: /time Magazine | Title: Music: The World of Paul Klee | 2/29/1960 | See Source »

...makes a 90° turn), the light has been known to flick from red to green and hold for only 16 seconds-just long enough to let three left-turning cars through, and get the piled-up traffic rolling. Then its timer snaps through a quick-as-the-eye amber warning to a red stop...

Author: /time Magazine | Title: HIGHWAYS: The Light That Never Fails | 11/16/1959 | See Source »

Except for some bracing outdoor scenes, shot in southern Arizona, of amber plains, crystalline streams and Corot-cool forests, strikingly composed by Director John (The Old Man and the Sea) Sturges, the picture is mostly one long, gun-slinging showdown that fairly oozes blood and bathos. One tough gets his right through a poker table, another is mowed down by a sawed-o^ shotgun at close range. The hell-bent kid is killed by mistake by one of his own saddle-bum chums...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 10, 1959 | 8/10/1959 | See Source »

...with such virtuosity and flexibility. Much humor derives from the outlandish costumes designed by Motley. Mistress Ford wears an outfit of incompatible orange and mauve; and when it is side by side with Mistress Page's fuchsia one, the combination is an awful eyesore. Slender wears a pink doublet, amber hat, and ridiculous flowered chintz trousers...

Author: By Caldwell Titcomb, | Title: The Merry Wives of Windsor | 7/9/1959 | See Source »

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