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...Eliot '09. Not only did he go to Harvard, but this year was kicked off with a rocking rendition of "The Hollow Men," entitled "The Hollowmen," performed by Erik Amblad...

Author: NO WRITER ATTRIBUTED | Title: ARTS YEAR IN REVIEW | 6/5/1997 | See Source »

...situation comedy par excellence) relies heavily upon expression and delivery, and this cast rises magnificently to the occasion. They're all so good that it's difficult--if not impossible--to pick out particular stars. Among the men folk, it's a toss-up between Erik Amblad '98-'99 as the jovial but whiplash-afflicted and increasingly harried tax analyst Lenny Ganz, who takes over from Ken as mise-en-scene of "keeping up appearances," and Jesse J. Hawkes '99 as the psychotherapist Ernie Cusack, who's at once the shrewdest and the farthest off-base of the entire party...

Author: By Lynn Y. Lee, | Title: How to Make 'Rumors' Flourish | 5/1/1997 | See Source »

...Silverstein as Ken, the anxious lawyer, also shines, particularly during his bout with deafness: his superbly comic expressions render even the old gag of mishearings and misunderstandings a la Cuthbert Calculus extremely funny. Daniel Goor '97 almost steals the second act as the sardonic, tough-talking Officer Welch, but Amblad's Lenny makes a sweeping comeback with the rip-roaring rigmarole that brings the farce to its zany climax...

Author: By Lynn Y. Lee, | Title: How to Make 'Rumors' Flourish | 5/1/1997 | See Source »

...makes this show such a complete and unique success. Lorenzo Moreno '00, as the "wise fool" Touchstone, handles the rapid-fire patter and the physical burlesque of the Renaissance clown with an ease, energy and good humor that's little short of astonishing. In the great Shakespearean tradition, Erik Amblad '98 dashes in and out of three different roles and is scenestealingly hilarious in the tiny part of the bumpkin rustic, Corin. Chuck O'Toole '97 plays Orlando's usurping elder brother Oliver as a marvelously villainous fop in the first act, although his performance wavers toward...

Author: By Susannah R. Mandel, | Title: The Bard Transmogrified Shines | 3/13/1997 | See Source »

When the soundtrack becomes frantic, Amblad quivers and throws himself on the ground; when it becomes hushed and mysterious, he assumes an inscrutable expression. That coordination of sound and action is the work of choreographer Dana Gotleib, whose achievement is also formidable; she's designed 45 minutes of motion that's neither dance nor acting, but something in between...

Author: By Adam Kirsch, | Title: Prayers to Broken Tin Foil | 9/19/1996 | See Source »

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